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This transformation that occurs in Ezio is one which is also reflected in the shift of locale the relatively garish and muted hum drum of Revelations take on Constantinople being a far cry from the rich cultural opulence of Florence and her other sister cities.įor longtime fans of the franchise, one thing that does take some getting used to is how the free-running and environment traversal is handled in these games. Eroded by age, conflict and responsibility, gone is the trademark sly wit and affable playfulness that characterised Ezio in the two previous games, since here he simply becomes a far less interesting character who has traded raw charisma for stodgy Hollywood stoicness.
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Of the three games, both Assassin’s Creed II and Brotherhood remain arguably essential by using sumptuous renaissance-era Italy as a backdrop to Ezio’s titanic struggle with the Templar backed Borgia family, these efforts remain as enduringly entertaining as they ever did the act of taking Da Vinci’s flying machine out for a clandestine flight against the Florentine night sky in particular proving to be a gaming moment that has endured over the years.Īssassin’s Creed: Revelations by comparison however, is much more of a decidedly downbeat affair. Related: Did you know the real history behind the Assassin’s Creed franchise? On the flipside though, by virtue of including three frankly massive Assassin’s Creed games in one package, Ubisoft is offering a good couple hundred hours of gameplay here with each game being absolutely rammed to the hilt with missions, side-missions and more collectibles than you can shake a feather at. In the case of the three games, nothing has changed from a content perspective there are no extra missions, no new side-quests and nothing in the way of additional narrative bits to get stuck into, though each game does come packed with all its additional single-player DLC, though it’s mildly annoying that you have to redeem them for free from the Ubisoft Club in order to play them.
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